“A soul connection is a resonance between two people who respond to the essential beauty of each other’s individual natures, behind their facades, and who connect on this deeper level.
This kind of mutual recognition provides the catalyst for a potent alchemy. It is a sacred alliance whose purpose is to help both partners discover and realize their deepest potentials.
While a heart connection lets us appreciate those we love just as they are, a soul connection opens up a further dimension — seeing and loving them for who they could be, and for who we could become under their influence.
This means recognizing that we both have an important part to play in helping each other become more fully who we are….
The Silvertones – Bring It On Home
For the next couple of weeks themusicologist is focusing on Lee Perry, The Upsetter, Chicken Scratch, Little Lee. A man whose impact on Jamaica’s, (and the world’s), soundtrack is, (almost), as big as Coxsone Dodd’s.
No surprise that the Upsetter began his career beside Dodd and even less of a surprise that they parted due to, (as far as Lee Perry is concerned), Downbeat’s failure to reward his creative endeavours….a common Jamaican tale which I am not in a position to pass judgement on, (and nor would I no matter what I knew)
Anyway, the(urBan)musicologist ain’t about hearsay and rumour….STRICTLY music and Lee Perry and Coxsone Dodd helped shape Jamaican music into what we know and love.
Studio 1 carried the swing throughout the 1960’s and early 1970’s but Lee Perry emerged with the ‘Soul Rebel’ sound in the late 60’s and wrestled the (recording) Crown from Sir Coxsone between 1972-1977..Channel 1 was there as where a whole host of producers during the period but, (as with Coxsone Dodd), Lee Perry changed the game.
It was Lee Perry who insisted that Bob Marley reform the Wailers rather than go it alone after returning from abroad in 1968 and history went on to be made. It was Lee Perry whose ‘Black Ark’ RULED from late 1973 until 1978 recording a HEAP of classic, KILLER material with many of the great Jamaican musicologists and whenever we reflect on Jamaican musical history Lee Perry’s name is right up there with the Champions.
Today’s cut is courtesy of The Silvertones Gilmore Grant, Keith Coley and Delroy Denton who first recorded for Duke Reid in 1965? with the magnificent Ska tune ‘True Confession’, (buried somewhere on themusicologist !!) following up with some quality Rock Steady and early Reggae for various producers, (including Lee Perry).
Before I drown in a sea of monologue and information please allow me to cut this short..
According to David Katz’s excellent book ‘People Funny Boy’ the rhythms for this piece were recorded at the, (almost completed), Black Ark and the vocals at King Tubby’s Studio at the dawning of 1973? and the musicians consisted of Hux Brown, Ansel Collins, Ranchie McLean and Anthony ‘Benbow’ Creary…
Finally I just want to add that I rate this tune and the Silvertones HIGHLY…oh yeah….It’s a cover of Sam Cooke’s ‘Bring It On Home To Me’
theUpsetter triButetee available in various colours @
Shake It Up & Go #5
(The Valentinos – Lookin’ For A Love)
Penultimate cut of the Shake selection featuring the superb Womack Brothers, (Bobby, Cecil, Harry, Friendly and Curtis), with a 1962 cut on Sam Cooke’s groundbreaking Sar label. Bobby Womack was a major influence on themusicologist throughout my formative years of the early Seventies. One of the ‘Big 3’ that also included Curtis Mayfield and Bill Withers. Of course there were others but these 3 were the main players.
(Donny Hathaway – Jealous Guy)
Somewhat of a dilemma over today’s slice..1 artist 2 majestic covers..what one to lay down? Donny’s version of Ray Charles’s ‘I Believe To My Soul’ or John Lennon’s ‘Jealous Guy’ ?? hmmm I think it’s going to be ‘Jealous Guy’. Nothing to choose between them as I said…both top of the ‘covers tree’ but something about this one that resonates stronger with me than ‘I Believe’. Am I a ‘Jealous Guy’…not neccesarily but I know I have been. Is it jealous or insecure? it’s a thin line indeed. Insecure…for sure so in true dialogue style hold this one from Donny’s Live set. Before I finish I just want to add how much I feel the man’s authenticity come through in his music…genuine dialogue between a man and his inner being I believe.
Others of note are Marvin Gaye, of course master John Coltrane, Gil Scott Heron, Terry Callier, Curtis Mayfield, Paul Weller, Dinah washington, Sam Cooke, Billie Holiday…there are others I could add but those are the ones who come immediately to mind without thinking long and hard. Recorded live, (1972), at the Bitter End and featuring Cornell Dupree, Mike Howard, Willie Weeks, Fred White and Earl DeRouen