(Sam And Dave – Goodnight Baby)
Staying on board the Soul Train for this week as there are far too many cuts and artists who have yet to be featured..Marvin Gaye, Bobby Womack, James Carr, Sam Cooke, Teddy Pendergrass, Al Green, Aaron Neville, Bobby Bland, Solomon Burke and on and on and on in fact a year still wouldn’t be long enough to dig deep into the Soul Cellar so another week is the LEAST I can do.
Too many pieces to choose from…must have lined up at least 5 cuts…just as I’m about to prepare one a next piece floats out of the speakers to distract my butterfly mind. So without further delay hold this piece from one of the great duets Sam Moore and Dave Prater. So electric were they on stage that Otis Redding refused to go on after them. 1965 release on the Stax Label.
(The Miracles – I’ll Try Something New)
Waiting for the inspiration for a new theme it suddenly arrived yesterday out of nowhere… Soul. Why? well…above all musical genres Soul is in my flesh, blood and bones. Deeply ingrained from before I was born. allow me to outline my historicity
My mum and dad were both Original London Mod/ernists from 1962 and anyone who knows will agree that the authentic soundtrack to Mod/ernist is Soul…Rhythm & Blues too of course but whereas Rhythm&Blues had been around for many years Soul was ‘modern’ (albeit a fusion between Doo Wop and Gospel).
Between 1958 and 1960 the seeds of Soul were sown as the cultural boundaries began to be crossed in earnest and as is often the case it was music that blew the trumpet for change loud and clear. No more would the universal language be categorised strictly by ‘Race’ (my belief is that it’s the only language that speaks to all regardless of colour, nationality or creed). Artists such as Sam Cooke, Jackie Wilson, James Brown, Smokey Robinson, Jerry Butler, Curtis Mayfield, Gene Chandler, Dee Clark, Otis Redding, Solomon Burke, Wilson Pickett, Marvin Gaye, (along with a whole host of lesser known but just as illuminating singers, songwriters and musicologists), began to flex their musical muscles and craft the ‘new lick’ without the backing of Corporate thieves and vultures.
In December 1968 themusicologist was born with the soundtrack of Soul ringing in my heart and soul and from that day to this it has been ever present. Beginning with the ‘classics’ I have matured throughout the 70’s 80’s 90’s and into the 21st Century with the heartbeart of such priceless musicology as the soundtrack to my existence. There have been and are many other genres that have had a profound impact on the I but Soul still is (and always will be), my first musical love.
Kicking off with one of my favourite early Soul cuts courtesy of the pioneering ‘Miracles’ who first recorded in 1958 for Chess, but it wasn’t until hooking up to Berry Gordy’s fledgling Motown Label that the musical sparks began to truly fly. Just like to add that without doubt The Miracles were a foundation stone on which the Berry Gordy empire was built…