Nubag #19 (a year in the life)
Getchew Kass & soul ekos band – Bey Lesenabetesh
HEAVYWEIGHT Selection featuring Ethiopia’s finest: Getchew Kass and the Soul Ekos Band.
HEAVYWEIGHT Selection featuring Ethiopia’s finest: Getchew Kass and the Soul Ekos Band.
First outing on themusicologist for the multi talented Troy ‘Trombone Shorty’ Andrews a cat who was BORN and RAISED with brass in his mouth.
“So advanced was he that, at the age of EIGHT, a club in the city’s Tremé district, where he was born and raised, was named Trombone Shorts in his honor”. – Thom Jurek
This 2011 cut is highlighted from the ‘Backatown’ set which features, (among others), one of Nola’s GREATEST urbanemusicologists the majestic Allen Toussaint whose first, (credited), production the 1960 recorded mod/ern/ist R&B classic ‘Ooh Poo Pah Doo’, (musicology #334), was for Troy Andrews’ grandfather, (Jesse Hill).
“What we tried to do with the record is capture what we do live and then just tighten it up a little bit, make it translate on record. Live, we may come across some stuff and jam on it, but the record brings it in and focuses on what we needed to do. We worked hard and we didn’t rush it. I think we alright with this one.” – Troy Andrews
Majestic piece from the mighty Lloyd ‘Bullwackie’ Barnes featuring the lilting, sufferers vocals of Junior Delahaye.
Maximum respect due to all the sufferers, rebels, nuwave navigators and knowledge hustlers who feel the vibrations of a changing world. Continue to spread/share the ‘wealth’ as you crawl, walk, run along the way.
long time comrades in, (musical), arms of the ‘project/diary/soundtrack’ will know that for me Sidney Bechet is one of the GIANTS of improvisation/jazz/recorded music etc.
One of the MASTERS of the art that I have been blessed enough to have stumbled across along ‘the way’. Apprentice’ and Journeymen are in abundance. Masters are few and far between.
Second time on themusicologist for this one..if i was asked “what is music?” i would pull this one out. listen to Bechet blow and how he drives the intensity, demanding that the other cats on the session step up.Which, of course, they do.
Had me nut down over the past few weeks studying for an exam I sat on Friday.
the incredible drawing is by the legendary, pioneer of contemporary neuroscience, Ramon y Cajal. Pathologist, histologist, neuroscientist, and Nobel laureate, (not to mention artist).
MIGHTY piece of heavyweight instrumental Ska from it’s, for me, greatest collective, the Skatalites. No need for me to wax about them too tough as they are well known and greatly appreciated. Suffice to say that this piece, produced by the majestic Vincent ‘King’ Edwards and delivered by the cream of the islands urbanemusicologists IS Ska. Simply put these are the musicians who ‘invented’ and created Jamaican music after 1962.
African Funk selection..
keep yer nose out me beeswax…
a personal favourite for themusicologist, RICH in memories of exposure to this set, Innervisions, as an impressionable 5 year old in 1973. Stevie was one of the BIG hitters on the stereo in them early years and Innervisions is a testement to the mans greatness, (having played and sung every part on this cut). I can almost taste the air of 1973 so strong and powerful are the connections.
Heavyweight (mid 70’s) funk critique of this ‘Old World’.
From a time when music (the voice of the people) was critical…
The ‘secret’ power of music to influence ‘the group’ has been abused by the power structure over the centuries but, from my perspective, it’s in the 20th Century that we see the abuse of music, OUR greatest achievement, at it’s most cynical.
Hogarth’s critical ‘the Times’ (Plate II) slots harmoniously into the narrative…
MAJOR selection from Sonny Boy Williamson II aka ‘Rice’ Miller/Little Boy Blue/Little Willie. Recorded and released in ‘Chi at/for Chess in 1959.
BIG DATA is on us like flies round shit..
“Boys you better be careful about what you say or do,
better be careful boys about…what you say and do,
that unseeing eye…just keep on watching you..”
KILLER ‘early’ Soul cut from the 17 year old Betty LaVette. 1963 release on the Atlantic Label.
Think of this as yesterdays cut..yer man was ‘under the cloud’ and wasn’t around to post it.
“Don’t promise me nothing if you can’t stick to your word”
HEAVYWEIGHT Ethiopian selection from the ‘first lady of Addis’
Big piece of instrumental tune from Busters All Stars..1967 release on the Blue Beat Label (in England). Featuring a collection of Jamaica’s finest instrumentalists.
No need to wax lyrical about the Princes profound influence on Jamaican music as a bandleader, pioneer, producer, Sound Man and ‘Voice of the People’. Just suffice to say that throughout the 1960’s Buster was up there at the forefront.
Moving out of the Sam Cooke and into the (real) Rhythm and Blues with the pioneering Otis Blackwell. This, his first cut, recorded/released in 1952 was the start of a long, illustrious career. Best known as a songwriter, (publicly), Otis was a DON of Rhythm and Blues and had a MAJOR influence on ‘Rock and Roll’ penning two of Elvis’ biggest cuts as well as tunes by, (among others), Jerry Lee Lewis and Dee Clark.
BIG piece of tune….Connoisseurs selection.
“A soul connection is a resonance between two people who respond to the essential beauty of each other’s individual natures, behind their facades, and who connect on this deeper level.
This kind of mutual recognition provides the catalyst for a potent alchemy. It is a sacred alliance whose purpose is to help both partners discover and realize their deepest potentials.
While a heart connection lets us appreciate those we love just as they are, a soul connection opens up a further dimension — seeing and loving them for who they could be, and for who we could become under their influence.
This means recognizing that we both have an important part to play in helping each other become more fully who we are….
(Sir Coxson) Downbeat marrow trembler courtesy of the majestic Jackie Mittoo, (the backbone of Studio 1 throughout the golden years), and the brentford road massive aka the Skatalites, the soul brothers, Sound Dimension the Brentford road all stars/disco set at the top of the game. released in 1966, (as the Ska slid into the Rock Steady) on Downbeat’s genre defining Studio 1/Supreme Label.
Regulars on themusicologist know how strongly the ‘Keyboard King’ has been representing over the years due to his credentials as one of the greats of the music that I love. Jackie is/was and will always be the KING of Studio 1 for me
there are rare tunes and there are BOSS tunes..no doubt which category this STANDS in.
BIG slice of funk from the ‘Reverend’. Highlighted from his final, (1978), secular album Truth n Time.
Couldn’t make the cut yesterday was at the ‘tower’ engaged in ‘deep work’.
First outing (this year) on themusicologist for a GIANT of the arts and true ‘authentic human being’ the majestic, imperious, Gil Scott Heron, (this cut features Brian Jackson), who ALWAYS told it like it is/was and will be unless ‘we’ connect, communicate, collaborate and MOBILISE to build a nu world.
the power of the networked society is in connecting to (re)build a society that serves us rather than enslaves us.
KNOWLEDGE is FREELY accessible yet current society is being engineered for us to consume (mis)information and infotainment.
In the information age it is critical that we take control of the networked communication channel otherwise it will continue to take control of US.
Day 2 .. Moving onto a piece of Mid 60’s, (1965 to be exact), Soul from South Florida’s ‘Deep City’ (Miami) featuring the vocal skills of Paul Laurence Dunbar Kelly.
I could go to town on the history and connect the (narrative) dots as to who owned what label, played on/wrote what song, what they went on to do and how influential they were in the development of soul/Rhythm and Blues/funk etc but to be honest it’s far too time consuming so I’ll just name check the cats responsible for EACH tune. In this case it’s Johnny Pearsall, Willie Clarke and Arnold Albury. (writers, producers, musicians, urbanemusicologists)
Released on the ‘Lloyd Records’ label in 1965.
Nubag #1 (a year in the life)
So much to say but, words, for me, don’t do thoughts/feelings justice. That said, I will do my best with the vocabulary I ‘have’ in an effort to communicate my thoughts/feelings on the what, why, how, when of the nubag (new bag) that I feel like working out of for the new year.
Interestingly and without my knowledge (but not without my understanding), the time has come and the nu beat is being played and the dance begins TODAY.
Not ONLY is it the dawn of spring it is also the dawn of the final phase (for me) and rebirth is coming as we ‘sail into the mystic’…
My aim is to post a tune every day between Feb 8th (new years day) and Jan 27th (year end), a marathon for sure but I will give it my best ‘shot’. The music will be diverse.
First up a top ranking piece of, (late), Ska from a king of Jamaican music, Justin Hinds (and the Dominos), one of the pioneers of the vocal group style at his/their very best. Recorded for the mighty Duke, the Trojan, Reid and released on his Treasure Isle Label. Echoes of and certainly inspired by Curtis Mayfield and Jerry Butler’s early Soul killer .. I’m a Telling You. One more example of Curtis Mayfield’s contribution to the development of Jamaican music.
rolling out a selection of personal favourites on themusicologist over the next few days/weeks/months in an effort to keep the wolves from ‘the door’. after all, what better way to soothe the ‘savage beast’ than with sweet music…
first up is this top drawer piece of roots courtesy of Prince Malachi. Released on the Roots Hitek label in 2006.