musicology #0655 Daddy Woo Woo

Tribute to DON Pedro #5

the Vibrations – Daddy Woo Woo

sliding out of the Ska and into the 60’s Rhythm and Blues with this cut from the Vibrations. A vocal group who first appeared on the scene as the Jay Hawks in 1956 and had a ‘hit’ with; Stranded in the Jungle, (remind me to dig it out from the vaults and lay it down), as well as notable early ‘Soul’ cuts Oh Cindy, Since I Fell For You, the Watusi, Peanut Butter and the classic My Girl Sloopy.

Don Pedro shares a West Coast connection with these cats who hail from the City Of Angels in California. the Don took up residency there for many years after deciding it was time to leave the auld Country and head out West to stroll the Boulevards.

Back in the day the Don and I used to be found frequenting ‘Mod’ hang outs. I had become disillusioned with the rare Funk clique and was in between scenes and even though it was my second time, (once a mod/ern/ist always a mod/ern/ist), the scene had evolved, (or maybe it was us who had evolved??), anyway we had some memorable times together and it was there that my love and respect for the Don was born…again I digress so i’ll leave it there. Suffice it to say that the music connects us and i Know that he will enjoy this one… recorded for and released on Atlantic in 1964.

musicology #575

Essential Cuts #5

(Little Esther Phillips – Mojo Hannah)

Fuck the words…hold this ESSENTIAL, (1964), Rhythm & Blues cut from one of the GREAT female vocalists.

musicology #557

Shake It Up & Go #4

(Inez & Charlie Foxx – Hurt By Love)

Continuing with the Shake selection that I threw down last weekend. 1964, (New York), cut on Juggy Murray’s Symbol label.

musicology #556

Shake It Up & Go #3

(Tony Clarke – Ain’t Love Good Ain’t Love Proud)

Massive Rhythm &Blues cut from the majestic Tony Clark. 1964 cut on the US Chess Label. He who feels it knows it. Authentic love is hard to find..if it comes knocking make sure you open the door and let it walk right in.

Now it’s a big, bright world when a guy meets a girl,
Don’t you know when a their lips meet,
Don’t you know that they taste so sweet,
Don’t you know it’s a good, good feeling,
That sets your heart a reeling,
Everybody now clap your hands come on children, stomp your feet,
Come on now..hail out loud,
Ain’t love good ain’t love proud,
Ain’t love good ain’t love proud,
Play the song now,

Now it’s a sheer delight,
To have your heart on fire,
‘Cause the pretty young thing,
Say’s your her one desire,
Don’t you know that it,
Makes you move, it makes you get on the groove,
Everybody now clap them hands,
Come on children, stomp them feet,
Come on ya’ll hail out loud,
Ain’t love good ain’t love proud,

It’s a big, bright world when a guy meets a girl,
Don’t you know when a their lips meet,
Don’t you know that they got to taste so sweet,
Don’t you know it’s a good, good feeling,
And it starts your heart a reeling,
Everybody now clap them hands come on children, stomp your feet,
Come on now..hail out loud,
Ain’t love good ain’t love proud,
Ain’t love good ain’t love proud,
Come on now,
Play the music…

musicology #526

Jamaica #6

(The Skatalites – Confucius)

Finishing up Round one of the Jamaican Musical History selection with this piece courtesy of the Chinese/Jamaican producer Justin Yapp who for 3 years, (1962-65) produced and delivered Ska that is as good as anything ever waxed. Yet another piece led and written by the legendary Don Drummond. Of course it’s the Skatalites, (who else !!), providing the impeccable back up. Recorded and released on Yapp’s Top Deck Label in 1964.

musicology #523

Jamaica #3

(Prince Buster – Linger On)

Moving out of the Studio 1, (before it threatens to consume the WHOLE theme), and into a cut from one of the other notable players in the development of Jamaican musicology…Cecil Bustamente Campbell who along with Sir Coxsone, Duke Reid, Justin Yap and King Edwards had a major impact on the Ska.

Prince Buster, (so named because of his boxing prowess), was a security man for Downbeat in the early 60’s but turned his talented hands to recording and producing in 1962 after leaving Coxsone. Today’s 1964? cut is a piece from the ‘Golden Age’ paying tribute to the legend known then as Cassius Clay. Note the innovative Reverb technique employed by Buster which at the time must have been well and truly ‘modern’. The musicians backing the man were known as Buster’s All Stars and included legends Val Bennet, Raymond Harper, Baba Brooks, Junior Nelson, Rico Rodriguez, Earnest Ranglin, Jerry Haynes, Gladstone Anderson and Arkland Parks.

musicology #511

Duets2 #1

(Birdlegs & Pauline – Spring)

This week it’s all about the musical harmony between two people. Kicking off the theme with a 1964 mod/ernist classic courtesy of 60’s Soul duo Sidney ‘Birdlegs’ Banks and his wife Pauline Shivers Banks. Originally recorded for and released on Jim Kirchstein’s Cucca label..this is the Vee Jay Release.

musicology #452

TheManWithTheBag #2

(Carla Thomas – Gee Whiz It’s Christmas)

slipping out of the Wailers into a festive 60’s Soul cut courtesy of Jim Stewart’s majestic Memphis Rhythm & Blues/Soul shack…Stax.

From memory, (my wax is locked away while I navigate this period of transition), it was released (I have it on an Atlantic 45), in 1964. The singer is the beautiful and hugely talented song bird Carla Thomas whose voice melts my soul  quicker than hot butter on breakfast toast. (Backed by Booker T and The MG’s).

musicology #451

TheManWithTheBag #1

(The Wailers – Christmas Time)

The time has come to roll out this years Christmas selection..what a difference a year makes !! could never have imagined that my/our whole world would have turned on it’s head but in the words of Lord Creator…Such Is Life or even master Terry Callier, C’est La Vie..(yet to feature but soon come), if I thought 2008 was a hill and gully ride then F**k knows what to call 2009 !! still..we made it through and I’m feeling very positive about the prospects for 2010, (couldn’t get any worse?…hahahahahahahahaha…I gots to laugh), one thing about adversity…you either get through it and emerge stronger or it gets the best of you and f**ks you good and proper. For all the Cats on both sides of this fence…I feel for you..know that musically themusicologist has ‘got your back’ and if you want me to lay one down especially for you then check me and I’ll see what I can do.

First cut is a top ranking slice of the Christmas musicology pie from None other than the Wailin’ Wailers (Peter, Bob and Bunny), with a majestic piece of rip roaring Ska out of the bowels of Sir Coxsone Dodds legendary Studio 1. Originally released in December 1964 as a 45 in JA on Dodd’s Muzik City label as ‘Christmas Is Here’ backed, (of course), by The Skatalites

musicology #369

SuchIsLife #3

(The Soul Stirrers – Looking Back)

Slipping and sliding from Paul Weller into a slice from the greatest Gospel, (and possibly vocal), group to have ever stepped up to the M.I.C, into the studio or onto the stage, the Soul Stirrers with a fine piece on Sam Cooke and J.W Alexander’s groundbreaking Sar label. I think it’s the majestic Jimmy Outer singing lead on this one backed by Paul Foster, Richard Gibbs, Leroy Crume and J.J Farley. Recorded and released in 1964.

musicology #362

Ideology&Philosophy #3

(Bobby Bland – If You Don’t Share Your Love With Me)

Final slice of the Greek Philosophy pie features the other of the three most well known Ideas men of Greek antiquity..Aristotle. A name known on some parts of London’s mean streets for his contribution to Double back Rhyming Slang..Aristotle rhymes with Bottle which leads to ‘Bottle and Glass’ which rhymes/translates as Arse !! for example
“did you check the bottle on that Richard?!!”

Anyway back to the Greeks..Aristotle is quite possibly the prime mover in today’s Western Ideology in part for his clear definition of Politricks. Any major Politician today is schooled in Aristotelian Ideology, (it goes with the territory), why? because it’s much easier to maintain the system. That way the ‘blame’ can always be laid at someone elses door. It’s almost unthinkable that many, many years later the society that we live in has NOT evolved much beyond Aristotle’s (much mis-interpreted), Ideology..Our children, (and us), are steeped in the interpreted version of his thinking. Not that I’m imagining this will be clear based on 2 minutes of interperatation here but maybe it will be a doorway to dig deeper…

The musicology is another slice from one of the greatest Soul singers, (featured a few times already on themusicologist), none other than Bobby ‘Blue’ Bland with 2 minutes 43 seconds worth of pure poetry about what, for me, is the thing that makes life complete…Love.

“It’s an ill wind that blows no good,
And it’s a sad heart that won’t love like I know it should,
And oh how lonesome you must be yeah,
And it’s a shame if you don’t share your love with me,

And it’s a heartache when love is gone,
But it’s bad and even sad, woooohh later on,
Woohhh there’s no one blinder than he who wont see,
And it’s a shame if you don’t share your love with me,

And I can’t help it woohhh no if she is gone,
You must try to forget woohhhh you must live on,
And I swear it’s a good thing to love someone,
But it’s bad and even sad when it’s not returned,

And oh how lonesome yes you must be yeah,
And it’s a shame if you don’t share your love with me,
And I said it’s a shame woohhh if you don’t share your love with me
woooohhhh yeahhh”

musicology #262

sleighbellsring #10

(The Mighty Sparrow – Winter Wonderland)

Slipping and sliding, (on the ice and snow), out of the sufferers and into some classics…First up is a 1964 cut from none other than the Mighty Sparrow..whose voice, timing and all round vocal dexterity is as good as it gets. Known universally as the ‘Calypso King Of The World’ the Sparrow deserves to be known beyond the confines of genre. Expect To hear more from this Cat in 2009..until then hold this one.

musicology #238

inmodwetrust #5

(Tony Clarke – The Entertainer)

Focus and discipline are certainly two attributes hard to come by for themusicologist in these turbulent times. Lucky for me I have music as guide, companion, and trusted friend. Might sound strange but often feels like a dialogue between me and the sounds…anyway, enough of the butterfly mind and back to the theme.

This cut was recorded the year that ‘mod’ had well and truly arrived, (some would even say finished), ‘tickets’ were everywhere and leading up to, (and certainly beyond), the bank holiday tear ups the ‘originals’ were moving on. Elsewhere kids up and down the country were ‘aving it large’, (for the first time), as ‘mod’ was spoonfed to the nation and beyond. Modernists on the other hand turned their back and looked for something else to direct their trend setting and creative energies into. Which is not to say that some of the vanguards didn’t stick with it and join in the ‘fun’. Maybe for them it wasn’t neccesarily about ‘being first’ it was also about ‘being there’, as perpetrators of ‘the new breed’ to take advantage of the opportunities that had arisen out of them revolutionary ‘times’. I think it was the philosopher Hegel who wrote/said that Ideas are the prime movers of history and not social or economic forces and for themusicologist, ‘Mod’ was and to some extent still is an idea.

The musicology is courtesy of a cat named Tony Clarke who recorded this Mod classic for one of the other Big mod labels, Chess. Unfortunately I have been having problems hooking up my Turntable to the computer so It will have to be the CD remaster until I can replace it with the 45. hope you understand.

musicology #189

nowordsjustmusic #5

(Walter Jackson – What Would You Do)

musicology #176

alternativesoundtrack2..Quadrophenia #8

(The Tams – Take Away)

strange how themusicologist seems to be drawn to art that reinforces one’s own predicament…maybe we all are?. not going into the details but lets just say I know how Jimmy feels.

this is the section after he has packed his job in and turns up at the Cafe to find all his ‘friends’. his so called best mate, (Dave), really takes the piss and the less said about young ‘tart’ Steph the better.

still, people are funny that way you trust them with your heart and 999 times out of a 1000 they’ll let you down but as Alan Watts said at the start of musicology #10

“that risk still has to be taken”

the musical accompaniment is a Mod screamer courtesy of Soul vocal group The Tams. I know for sure this was big on, (and in), the Scene that year and I must confess to taking a little bit of artistic license as it may have been released after the brief period in which the film was set. Couldn’t resist it though as it’s not only perfect for the alternative soundtrack it is perfect for me too.

p.s that ‘Glasgow kiss’ that he gives Dave after the ‘alleyway’ comment is quality and well deserved.

musicology #164

malevocals2 #2

(Amsterdam – Jacques Brel)

stepping outside of the sounds of Jamaica and blazing new ground with a singer from Belgium who themusicologist came across by pure chance one night when I fell asleep on the sofa with the ‘Ned Kelly’ on and was woken from my slumber not only by this cats voice, but just as importantly his passionate delivery.

I must admit I was blown away and having never listened to a song sung in French I vowed to dig some of Jacques Brel’s work up and aquaint myself with it. I can’t translate a word of it but after watching and listening to this live performance of his on the documentary it brought tears to my eyes and sent a shiver up my spine…in other words I felt it.

apparently he was a huge star in France and obviously Belgium and I can hear why. He pulled no punches and was known and well loved for his ‘protest’ songs as much as his songs of love…

it was this 1964 cut that woke me from my slumber. it’s a song about Amsterdam, sailors on shore leave and the so called dregs of society about whom Brel was a passionate defender.

David Bowie is a big fan of Brel’s, (and this song in particular), recording it first in 1970 for a John Peel session live at the BBC.

musicology #83

sixartist,sixtune,sixweekspecial #6

(Sam Cooke – A Change Is Going To Come

had to be this one to finish up the Sam Cooke tribute. one from themusicologist’s top10 tunes of all time, regardless of genre…

another quote from the excellent book about Sam Cooke, (Dream Boogie), by Peter Guralnick

“He had given Rene Hall the ‘civil rights’ song he had played for J.W (Alexander), with no specific instructions other than to provide it with the kind of instrumentation and orchestration that it demanded. Rene was in no doubt as to the momentousness of the charge.

“I wanted it to be the greatest thing in my life……..”

’nuff said…

musicology #78

sixartist,sixtune,sixweekspecial Sam Cooke Bonus #1

(Sam Cooke – If I Had A Hammer)

so..back in the Sam Cooke saddle after some techno issues regarding the Streaming Audio, (boxnet)

threw a small spanner in themusicologist works but rather than dwell on it I’ll take it as a sign that more Sam Cooke is required. Three bonus slices is how it is going to be dealt with, (mon/tue/wed), and then it’s back onto the original sixtune program for #’s 4/5/6, (thurs/fri/sat)

thinking about it…it’s fitting that Mr Soul gets 3 extra tunes as everything in the sixartist selection that follows shares a connection … his legacy. what was/is it about the man that is so special?

not just his voice which, let’s face it, is second to none..it was his capacity to move people of all colours and creeds communicating a message that crosses all boundries. as an example hold this one from a 1964 performance at the Copa in front of a full supper club audience. for themusicologist a killer performance…the way he drops it into a deeper meaning in the middle is breathtaking.

the way he delivers the message to this audience and then gets them involved is nothing short of a miracle, he also laid Bob Dylan’s freedom anthem Blowing In The Wind on them . Consider that for a moment..Sam Cooke singing Blowing In The Wind to a Copa audience…obviously the call and response to a soul/gospel audience was part of the performance and to be expected but at the Copa, to a tune like this, full of undercurrents is almost beyond belief but Mr Soul rinses it like NOBODY else could have done….

I’m in danger of waxing lyrical…Sam step up brother and let us know what it’s all about.……..

LOUD is how this one should be heard ..

“where?…..where?, (all over this land), that’s the place…huh”

I do believe that’s Bobby Womack, (along with Cliff White), pluckin’ strings

musicology #72

newyearboogie #4 (Impressions – Keep On Pushing – 1964)

the ULTIMATE message tune..words aren’t enough, so im just movin’ on aside..

“now look a look a look a yonder, what’s that I see….”

only one thing dissapointing about this tune…it ends.

musicology #61

Fontella Bass – This Would Make Me Happy

the first few weeks of the merry month of December have seen it all and non musical commitments along with so called service providers have kept themusicologist busy but I’m not here to make excuses because after all, is there anything more fulfilling and satisfying than playing, listening and sharing the joy of music…which leads nicely onto this.

fellow musicologist and friend Sean Rowley has presented an opportunity to include, (over the next six weeks), the one tune technique on his excellent show the joy of music which goes out live on BBCRadioLondon in the wee hours of Sunday mornings, (midnight till 2am GMT),

if you’re not a night bird but are still interested in hearing the show ‘live & direct’ click on the joy of music link above, click on Sean Rowley, (second column on the right), where you can stream it for up to seven days after the event. It’s one tune every week selected and introduced by myself … I make an appearance around the 45 minute mark preceeding the majestic Dion DiMucci interview a musicologist of the first degree.

for those not able to tune in and listen I’ll throw said slice of musicology down on themusicaldiary every Saturday starting right here right now

one last thing…not sure if you have heard but this information nugget has, (synchronistically), come to my attention…Ike Turner died on December 12th. The man was a legend and was a leading light in the development of the music that we know and love today from what some hail as the first Rock&Roll record, (Rocket88), in 1951 right through to tunes like River Deep, Mountain High he was instrumental in developing Rhythm&Blues as well as Soul, (something not many were able to do),

it’s more than coincidental that I threw this Ike production in advance of his passing and for themusicologist it is yet another example of music’s magic as well as its power to communicate so with that in mind I am going to pay a week long musical tribute to the man starting with this one

This Would Make Me Happy – sung by Fontella Bass, produced by Ike Turner, written by Oliver ‘Bus Stop’ Sain, for Ikes? LA based Vesuvius label, from the soulful year of 1964. very little is known of the label and according to the oracle, (R&B Indies), there are only two releases on it.

Ike, thank you for the music and the legacy.