(One Drop Of Rain – Wayne Wonder)
Another day another dollar, (or not as the case may be)
fulfilling a request from a dear friend for this one so without delay JP, this one’s especially for you
pucker slice of 1996 dancehall, (produced by the Shocking Vibes crew), from one of my favourite singers. A cat who has been dropping musical bombs for nigh on 20 years and delivers almost, (nobodys perfect), everytime he takes the mic .. Mr Charles, y’ large.
(Once I Was Lonely – Gregory Issacs)
still spinning .. rollin and tumblin. hold this top piece of ‘lovers’ from the
‘cool ruler’ who had this to say..
” I think that the power of music is in love songs because every day people fall in love, Gregory Issacs doesn’t fall in love, Gregory Issacs stands in love”
lyrics, don Gregory, lyrics ..
mid 90’s Winston Riley production for his own Techniques label.
(Wornell Jones – It Must Have Been Love)
finishing off the 3 round theme with the icing on the cake. a barely known 80’s Boogie, marrow trembler from this musicologist/songwriter/singer/bass player. what more can be said about it other than
“it must have been love”
one thing themusicologist would like to add to the diary is a few words on how music is so often the catalyst for change. this week I undertook a new journey .. therapy… relationship therapy to be precise. for an ‘alley-cat’ this is almost unheard of for many reasons but, (almost), anything and everything is worth investigating and as communication breakdown is all too common in this age there is obviously value in wise counsel. this musical diary is my therapy, best friend, shoulder to cry on and this week here we are without planning, scheming or manipulating listening to duets, two people in harmony… bliss and strangely almost confessional.
the point to make here is that no matter how hard one ‘knocks’, (and themusicologist is an example of this pursuit), if the door to the heart is closed and nobodys home the time will come when the person outside packs the emotional bags and hits the road. Darryl Banks knew this back in ’66 and laid down an anthem, (musicology #11), to guide us but if you don’t ‘listen’ you can’t hear. so this piece of musicology goes out to all those who aren’t listening as well as those who are.
doublebubble .. day6
(Womack & Womack – Woman)
If you like your soul straight up, no chaser this is one of them tunes that does all the talking .. lovers/haters hold this marrow trembling 4mins 17 seconds of 80’s soul duet heaven from Linda and Cecil and let the music be your guide…
doublebubble .. day 5
(Chuck Jackson & Maxine Brown – Don’t Go)
sticking with the 1965 selection this one brings together two of Souls shining lights that, (as is all too often the case), didn’t receive the accolades due for their musical efforts. Maxine Brown and Chuck Jackson were there recording in the ‘new style’ as Soul emerged from the shadows of Doo Wop and Rhythm & Blues in the early 60’s to become the force it is today. the second tune this week to flow from the pen of the majestic songwriting duet Ashford&Simpson.
just so you know, for themusicologist the term Soul covers any song about affairs of the heart sung with genuine feeling … regardless of race, creed or colour.
doublebubble .. day 4
(Tarheel Slim & Little Ann – I Submit To You)
day late but not a dollar short with this piece from 1965. better known for their 1959 hit, (it’s too late), which made the doublebubble playlist but, for me, doesn’t reach the heights of this one.
the male half of this husband and wife pairing was a foundation soul singer who first recorded gospel from 1946 as a member of The Southern Harmonaires, Selah Jubilee Singers and The Jubilators. Next stop, (1950) was early Vocal Group The Larks followed by some Blues cuts accompanied by the legendary Sonny Terry & Brownie McGhee before moving to Bobby Robinson’s legendary label Red Robin ..
doublebubble .. day3
(Bob & Marcia – Always Together)
one of themusicologists favourite duets. this time from 1970 and the island of Jamaica. epitomising the sound of late 60’s early 70’s reggae and one that many a genuine rudeboy/skinhead would have moved to down at El Partido.
I have 3 versions of this, the UK mix/the dancehall 12″ and this one which, after much deliberation is the one that has come out on top. I love the 12″ just as much but it’s more of a specialists cut, (9 mins long), made for playing ‘in the dance’….
the male singer in the duet is also the songwriter, (one of Jamaicas finest poets), and I would imagine, for this session at least, is heavily involved in arrangement, production and final mix down. no prizes for guessing that its yet another Studio1 production.