(Otis Redding – Old Man Trouble)
Apologies for yesterday. Today I’ll make sure the cut is laid down with the post !!
1: A purification or purgation of the emotions primarily through art.
2: A purification or purgation that brings about spiritual renewal or release from tension.
3: elimination of a complex by bringing it to consciousness and affording it expression.
For me themusicologist delivers all of the above and for that I am more than greatful. In fact over the past few days the raging inner storm is calming and the ‘weight’ is lifting.
I’m assuming that most, if not all, of us are feeling some kind of pressure as the curtain finally closes on the Modern World and opens on what in Philosophical terms is defined as the Post Modern world of, (among other things), decentralization, insecurity, globalization, unpaid work, marketocracy, crowdsourcing and so on and on and on. Many Modern projects that have informed us since the Enlightenment such as freedom, democracy, education and the family are being dismantled and replaced by degrees of economic slavery. It’s always a changing world but sometimes the speed of change is surprising.
So as much as I take responsibility for my actions I also know that there are external forces at work that have a great impact on the herd who tend to be oblivious to the control tactics of the masters. Therefore I will continue on the road of authenticity with my head held high and my eyes, ears and nose wide open and dismiss the one sided Apollonian ideology that reduces art to no more than “amusement governed by empty concepts” and firmly deny Plato’s view that “Art is a secondary imitation of reality and a counterfeit substitute for life itself”
Today’s cut is a fine piece of Art courtesy of the ‘Big O’. Borrowed from the great 1965 ‘Otis Blue’ set….Plato…this one’s all yours.
(Otis Redding – These Arms Of Mine)
time for a slice of Otis…unquestionably one of the finest singers of the Soul genre, (or any other come to that), loved and respected by all the musicians and producers who had the good fortune to work with the man. this one is taken from his first album, (although this cut was recorded and released initially as a Volt 45 in 1962), Pain In My Heart.
Recorded at ‘Soulsville U.S.A’, lyrics by the man himself, produced and probably engineered by Label owner Jim Stewart, (maybe even Steve Cropper?). players of instruments the magnificent Booker T & the MG’s: Steve Cropper, Booker T. Jones, Al Jackson and Lewie Steinberg.
(Al Green – How Can You Mend A Broken Heart)
sliding out of that beautiful piece of musicology from Sade into this next slice of the musicology pie, written by the brothers Gibb, (Barry and Robin), produced by the legendary Willie Mitchell and delivered, in spades, by the ‘Reverend’.
(Bobby Bland – Ain’t Nothing You Can Do)
themusicologist is a place to share, communicate and connect and one of the things I have learnt over this past year is that the message is in the music but it’s not always the one were looking for.
the universal language speaks to us all but not necessarily about the same topic…I’m laying down this selection as a ‘theme of no theme’..a complete ‘Jamboree Bag’ where anythings possible… a tune a day to help keep the wolves at bay.
almost every day while listening to music a tune will come on and I’ll think to myself… “I’ll have to lay that piece down one day”.. but often find themusicologist in the middle of a ‘session’. so for the next few weeks it’s random..just good old BOSS sounds of all flavours and vintages.
starting with the majestic, late night, 1964 sound of Bobby ‘Blue’ Bland who, as a member of the Beale Streeters along with Johnny Ace, BB King, Junior Parker and Rosco Gordan, was there at the birth of Rhythm and Soul in the early 1950’s. A big Mod/ernist favourite who carried the swing for many years and possessed the special ability, (that the greats share), to make each recording his own. From 1950-1970 Bobby Bland was a powerful force in the development of the vocal style known now as Soul.
listen the ride……..