The Upsetter’s [Lee Perry] BURIAL version of the Wailers 1966 Studio 1 classic…
“Fighting to preserve things as they are inevitably becomes a battle to think and speak of things in certain ways, either defensively or preemptively. We face the future empty-handed, language-wise; we are dumb in the face of the future.” George Orwell
Selected by themusicologist in tribute to Jamaica’s Soundsystem and Recording Studio HEAVYWEiGHT Sir Coxsone Downbeat the Ruler Dodd and FULL Brentford Road Crew.
I have waxed lyrical MANY times, (and dropped the needle on a number of supreme cuts), over the years here about the greatness of Studio 1 and some of its chief protagonists ..cats like Jackie Mittoo, Leroy Sibbles, Joe Higgs, Ken Boothe, the Skatalites, (to name a few), and how they carried the swing throughout the early days of Ska, Rocksteady and into Reggae. In fact I LOVE Studio 1 so much it led me to design and produce the tribute tShirt in Sir Coxsone’s honour which in turn inspired the formation and formulation of bloodSweatandteeS. Of course there were plenty of other producers along the way like Duke Reid, Justin Yap, Prince Buster, Lee Perry, Bunny Lee, King Tubby and the Hookim family but, at least as far as i am concerned, Downbeat was and will always remain the ruling sound. themusicologist IS a journey and as such the most effective way to illustrate what music means to me and how much it has informed my life is to lay down ‘SouLRebeLSymphonies’ rather than the the ‘1Shot’ that has dominated themusicologist for the past 4/5 years. I have played and listen to music this way for almost 30 years so it is also part of my narrative and authenticity so I hope you will allow me to indulge this part of my self as well as do me the favour of listening to it this way? The works of art on this mix were recorded and released from the late 60’s through to the mid 70’s, (with a few later cuts sprinkled in), when the Downbeat sound dominated. Before that the main rivalry, (especially record wise), was between Downbeat and the Trojan and even though there were some great producers throughout the age Studio 1 was the Home of Reggae and recording for Coxsone was the goal for almost all of the artists throughout the 60’s and early 70’s…..
to conclude todays monologue..I STRONGLY believe that music is for sharing and playing in your own environment so the mix is available to download and if you like Reggae and especially Studio 1 then i implore you to ‘fill your boots’ (and if you like it feel free to share it with your community.)
the bloodSweatandteeS ‘Sir Coxsone Downbeat’ tribute tShirts, (below the soundcloud player), are available in various colours and there are still some sizes left so if you are looking to represent now’s the time as some of the combinations will not be repeated due to my desire to innovate continuously !
what more can I say about the ‘Wailing Wailers’…the trio who went on to internationalise the music of Jamaica that has since had such a BIG impact on contemporary music especially ‘Hip Hop’ and ‘House’ both of which owe a great debt to the artists, producers and engineers who were always innovating and showing what was possible with limited technology. EVERY 21st ‘bedroom producer’, whether consciously or unconsciously, takes inspiration from Jamaican Urbanmusicology.
From the early 1950’s the Sound System pioneers helped to blaze the trail for what was to follow, chatting on the mic, selecting in the dance etc but it was in the 1960’s and particularly with Sir Coxsone Downbeat’s Brentford Road powerhouse, appropriately named ‘Studio 1’ that the music really took shape. Of course there were other BIG and influential producers at the time notably Duke Reid, Leslie Kong, Justin Yap, King Edwards, Prince Buster but Coxsone was the one who truly moved the focus out of the dance and into the Studio with artists such as the Wailers. Coxsone was a businessman but also a vanguard AND music lover who knew how to pick a winner and without him the musical landscape of not only Jamaica but, (in my opinion) the world would be a different place.
DOWNBEAT THE RULER will ALWAYS be the CHAMPION sound for me.
Wailing Wailers TributeTees designed and produced by themusicologist available EXCLUSIVELY at
More Ska from the Wailers, who were first introduced to Studio 1 by percussionist Alvin ‘Seeco’ Patterson and went by the name ‘the Teenagers’. Bob had already recorded a tune for Leslie Kong before arriving at Coxsone’s Brentford Road gate but as a (5 piece), group they were yet to record. Lee Perry was assigned the task of making the ‘Wailers’ the islands #1 group and encouraged them to work at their original material rather than the covers that Coxsone, (who was a fan of the group), was forwarding. This SUPERB piece is one of those original compositions..Jackie Mittoo on the keys leading the Studio 1 band, (formerly known as the Skatalites)
moving out of the Wailers at Studio1 into a piece from their period under the guidance of theUpsetter, (for me their most groundbreaking), with the tune that named a whole style…SouL RebeL.
Bearing in mind that Lee Perry had been there since their earliest days it was he who was most responsible, (outside the trio), for turning them into ‘the Wailers’ that went onto to international ‘stardom’. Rumour has it that Bob Marley returned from America in 1969 sought out theUpsetter and asked him for his help to make him a solo ‘star’. Perry convinced Marley that his future lay in reforming the Wailers as their harmony was something almost unique and was the perfect vehicle for creating the ‘Soul Revolution’ sound that would come to dominate Jamaican music over the next few years..
So here is the 1970 Lee Perry produced version of Soul Rebel. Highlighted off the SouL Rebels LP…
BIG Piece of UrbanMusicology from one of the great Jamaican vocal Groups.
the tees below were designed and produced by themusicologist in TRIBUTE to the Cats responsible for delivering some of the most inspirational sounds to ever float out of Jamaica..available EXCLUSIVELY at the home of Authentic tributeteeS …