musicology #0755

Nubag #23 (a year in the life)

Ain’t No Love In The Heart Of The City – Bobby Bland

“Dimensions are limitless; time is endless. Conditions are not invariable; terms are not final. Thus, the wise man looks into space, and does not regard the small as too little, nor the great as too much; for he knows that there is no limit to dimension. He looks back into the past, and does not grieve over what is far off, nor rejoice over what is near; for he knows that time is without end. He investigates fullness and decay, and does not rejoice if he succeeds, nor lament if he fails; for he knows that conditions are not invariable. He who clearly apprehends the scheme of existence does not rejoice over life, nor repine at death; for he knows that terms are not final“. – Zhuangzi (Chuang Tzu)


musicology #587

Flow #6

(Bunny Clarke – Move Out Of My Way)

So…following on from the inspirational Terry Callier it has to be a BIG tune and for themusicologist they don’t come much bigger than today’s cut. ESSENTIAL ‘steppers’ selection from the depths of Lee Perry’s Black Ark…Sonic bomb featuring the majestic William ‘Bunny Rugs’ Clark on the M.I.C who was brought into the Ark by Glen Adams in 1974. A couple of years before he became lead singer of the equally majestic Third World.

“MOOOOVE out of my waaaaaaaaay…..”

musicology #569

Down The Road A Piece #5

(Lonnie Liston Smith & The Cosmic Echoes – Expansions)

So, down to this the final cut of the ‘Vintage Goodwood’ selection..which I’m laying down first in tribute to Chris Hill, (foundation Selector on the Jazz Funk scene and part of the ‘Soul Patrol’ back in the mid – late 70’s), who played it on Sunday night in the Casino. Secondly to all the original Rare Groove massive. There was NO way I thought I would be able to hold out for his midnight – 2am set considering I had to drive back to the ‘Smoke but it was well worth the wait and I shook and fingerpopped from start to finish…the perfect end to a great weekend.

Today’s cut needs no introduction..absolute classic Jazz Funk/Rare Groove slice from the Legend Lonnie Liston Smith and his band of monumental players Cecil McBee, George Barron, Joe Beck, David Lee, Jr, James Mtume, Sonny Morgan, Badal Roy and Geeta Vashi A.K.A ‘The Cosmic Echoes’. The introduction, (and the cut), NEVER fails to send shivers down my spine. BIG tune going out to ‘The Anthill Mob’. London clubland memories are made of this.

“Expaaaaand your mind…..”

musicology #544

Jamaica #24

(Gregory Isaacs – Financial Endorsement)

Out of the ‘Crown Prince’ selection and into one from the ‘Cool Ruler’…aka Jamaican Superstar Gregory Isaacs..who, (along with the Heptones and Beres Hammond), I will be catching Live at the Brixton Academy next week…

Born and raised in West Kingston’s notorious Denham Town, The Cool Ruler begun his recording career in 1968 with a self produced cut and followed with one for Prince Buster, (apparently under gentle persuasion from the notorious ghetto legend Jim Brown to offer his ‘bredren’ Gregory a platform to record), but amazingly it wasn’t until setting up his own African Museum label in 1973 in collaboration with Errol Dunkley that he began to climb his way up to the top. Why? certainly nothing to do with his immense talent, maybe he was just toorude for the producers to deal with for more than the odd session? anyway thankfully Gregory continued to record and has gone on to deliver some of the finest music to have ever graced themusicologist’s ears.

Today’s 1974 cut was recorded for producer Alvin Ranglin and released on his GG’s Label.

musicology #543

Jamaica #23

(Dennis Brown – No More Will I Roam)

Looking back over the past week on themusicologist I couldn’t help but notice my truth the weather was too nice and I had much street walking, hustling, networking, planning and dreaming to do and themusicologist had to take a back seat but the weather is still scorching so I’ll have to come up with a new plan for this week…ahh got it…more music less scribbles, (it’s the scribbling that takes ALL my time)

So with that in mind….forward up with the sweet sounds of JA.

Ranking piece from the ‘Crown Prince’ Dennis Emmanuel Brown produced by Winston ‘Niney the Observer’ Holness for his Obsever label in 1974.

Listen Tune..

musicology #505

CoversWeek2 #2

(George Benson – Take 5)

Been a long time coming but after 8 months of trials and tribulations it feels like themusicologist is back in the saddle. To be honest there have been times over the past few months when I’ve asked myself whether I should continue to invest so much time and effort in the brave new world of the hyper-real as the ‘return on investment’ is almost impossible to quantify but as the months have rolled by and this new chapter in the book of life gets written I realise how essential it is, (for me at least), to have a soundtrack as well as how much the world is changing in relation to investment. As far as I can see the only life worth living is the one you want to live and not the one forced apoun us by fear, capitalism and politricks. I live and breathe music, (always have), and without it existence would be half of what it is..communication would be even more of a struggle and the continuing and ever more valuable dialogue I find myself engaging in would feel more like a monologue.

Music facilitates learning as it challenges the I to participate and question rather than just observe and obey whereas chasing financial success at the expense of all else is a fools quest..Something I have learnt along the way is that money ain’t worth the paper it’s printed on and the pursuit of it may leave you cold, bitter and empty whereas the pursuit of success as a human being opens up the possibilities to express your self and through that connect with others who are also crawling, walking or running along the road to freedom. I say fuck the money and let’s explore the love.

Today’s cut from master Guitarist George Benson, (a Cat who begun his career at the age of EIGHT playing in an unlicensed nightclub), says it all in two words.

Selected from his 1974 set ‘Bad Benson’

musicology #410

Terry Callier #2

(Terry Callier – Alley Wind Song (Original Demo)

A quote from the man himself:

“People everywhere are searching, searching for a spiritual base to stand on, reach out from and react to. The way I understand it, I’m supposed to put the message out there as clearly as I can. The rest has to take care of itself.”

“And hear some strange magic man work some ju-ju if you can,
Or do you know a spell that’s worth repeating,
Trace your pictures in the sand,
Tell me can you work a mojo hand,
Can you start the drums of Kuru beating,
Beware of the South wind,
The heart and mind and mouth wind
And search the sacred sands for a solution,

And tell me it true if I put faith in you,
Will you lead me to the bridge of bright tomorrows,
And will your grace see me through,
Will incense and candles do,
Will prayer remove me from the reach of sorrow,
Oh beware of the North wind,
A king of worlds comes forth wind,
And blow apoun the land in retribution,

In the land of the free where the huddled masses flee,
From the cold and cruel worlds of wars dominion,
In a dusky mirror that I see,
Dont you know it got a hold back on my jubilee,
If freedom’s just a matter of opinion,
Ah beware of the West wind,
A bitter black suppressive wind,
That leads your children home for revolution,
That leads your children home for revolution,

Listening ones…if I sing,
Will that make you do your thing,
Will the chatting reach your high and lofty places,
And what is this strange gift you bring,
It’s sparkling like a diamond ring,
Will that bright light reveal the prince of faces,
Beware of the East wind,
A god of man and beast wind,
A famine and or feast wind,
And the last but not the least wind,
A threat of silver fleece wind,
A follow great release wind,
Blowin all across the land,
Blowin all across the land,
Where you stand,
Where will you stand,