musicology #0748

Nubag #17 (a year in the life)

Junior Delahaye –  Working Hard For the Rent Man

Majestic piece from the mighty Lloyd ‘Bullwackie’ Barnes featuring the lilting, sufferers vocals of Junior Delahaye.

Maximum respect due to all the sufferers, rebels, nuwave navigators and knowledge hustlers who feel the vibrations of a changing world. Continue to spread/share the ‘wealth’ as you crawl, walk, run along the way.

 

musicology #0731

word/sound/power #1

Prince Malachi – Trodition

rolling out a selection of personal favourites on themusicologist over the next few days/weeks/months in an effort to keep the wolves from ‘the door’. after all, what better way to soothe the ‘savage beast’ than with sweet music…

first up is this top drawer piece of roots courtesy of Prince Malachi. Released on the Roots Hitek label in 2006.

soho-old-london-photos.

musicology#0728

ahymnforcon #34

Jackie Mittoo and Winston Wright – Guiding Light

“Be like a branch of a tree; flex your body to face ‘wind of sorrow’; flex little harder to dance in the ‘wind of happiness’.”  – Santosh Kalwar

Con.JULY6.2011

musicology #0726

ahymnforcon #32

Doreen Schaeffer – This Love

“It means much to have loved, to have been happy, to have laid my hand on the living Garden, even for a day.”

it means SO much .. thank you kohzu x

youngCon

musicology #0707

aHymnForCon #13

Gregory Issacs – Sad Mood Tonight

2015-08-31_18-05-45

musicology #0703

aHymnForCon #9

John Holt – I See Your Face

“No truth can cure the sorrow we feel from losing a loved one. No truth, no sincerity, no strength, no kindness can cure that sorrow. All we can do is see it through to the end and learn something from it, but what we learn will be no help in facing the next sorrow that comes to us without warning.”
– Haruki Murakami

x

Mass.9B.Cornwall

musicology #0701

aHymnForCon #7

Sam Cooke and the Afrokats (feat Karl Bryan) – Lost and Looking

my baby would have been 20 today. always in my heart, soul and mind.

Mass.7B.Aug.30.2015

musicology #0679

aSongforCon #18

Gregory Issacs – It’s True

“Can’t begin to understand,

I look the same but I’m a different man,

And inside I’m hurting So,

Loneliness it just won’t go,

Since you been gone,

Haven’t been myself,

This must be a dream,

Strange as it seems,

I never thought that this could ever be,

My friends don’t come around in sympathy,

But NOTHING they say or do could ease the pain,

Though I’m trying to work it out,  it’s all in vain”

musicology #0675

aSongforCon #14

the Wailers – Dreamland

Conis chan … we’ll count the stars up in the sky and surely……we’ll never die. x

musicology #0669

aSongforCon #8

Marcia Griffiths – the First Time Ever I Saw Your Face

NOTHING could prepare me for the heartache of my childs death but music certainly helps to process and ease the pain. Please watch over me Kohzu…until we meet again x

musicology #0659

Earl Sixteen – Changing World

Jumping back into themusicologist saddle with this Top ranking, Augustus Pablo produced Late 70’s piece of social critique, courtesy of the Majestic Earl ’16’ Daley.

I leave it to the man himself to tell his story…

(borrowed from an interview conducted by father ‘Small Axe’…maximum respect is always due)

Link to FULL interview.

“Basically, I started out on the street corner, under the light post, with all the boys, hanging out at night. I started out at Waltham Park Road, where I grew up, in Kingston, Jamaica. At the age of about 13, I started getting into like, Chi-Lites music, ’cause in Jamaica we’ve got a big influence of American music. I kind of started to listen to a lot of soul American stuff, Chat, (Chuck) Jackson (?), James Brown music, and all this and all that. Usually, after like doing my… ’cause you know, I lived with my Auntie at the time. On Saturdays, I used to turn up the radio and do my housework, and listen to the radio, and in the nights, when we get out on the streets, sometimes I’d be singing, “Trash man didn’t get no trash today,” like “People Makes the World Go Round” The guys kind of liked how my voice kind of sounded, ’cause I used to try to sing exactly like the actual records.

In those days, the good old days, everybody was into singing like Dennis Brown. Dennis Brown at that time was like one of the most influential artists, he was really progressive at that time, he was young still. All the school boys and kids who liked music, we used to like always try to pack on Dennis Brown, because he’s like a role model for us. So I kind of started out with that, but I was more like singing falsetto, like Pavoratti kind of stuff. Afterwards, after that, they had Vere Johns, talent contests going on in night clubs around Kingston. There was one at the Turntable Club, there was one at the Vere Johns, and there was one at the Bohemia Club, which was closer to me in Half Way Tree. One of the guys who used to hang out with us, Donald Hossack, he used to teach music like keyboards, piano. He encouraged me to enter one of the talent contests.

During that time I was still going to Church and singing now and again on the choir, and I started doing solo stuff, out from the choir, just singing songs all on my own, because I had this really unique kind of voice and all the people liked my voice. I was in the Church, but I wanted to get involved in some of the Chi-Lites stuff, some of the soul stuff, because the parties were happening, you get the girls and all that. I went to try and get an audition for the talent contest; I was about 14, 15 then, still going to high school. When I went and did the auditions, it turned out that I got picked in the audition, then went to the heats and I reached up to the finals.

In this final, there was like Michael Rose, Junior Moore from the Tamlins, there was myself, there was a girl called Joy White, she’s brilliant, I still love her, and there was another girl, I think it was Sabrina Williams. There was about six of us in the final, that’s a big night. Anyway, I kind of scraped through, I was biting my nails, but I made sure that I did my homework. I practised this tune 24 hours a day, “Peek a Boo,” one by the Chi-Lites, it was a big song in Jamaica so a lot of people knew it. When I did it, I ended up winning the 25 dollars (on) boxing day, I was too small to drink the beers so I had to give them all away (laughs), but after that I started getting the buzz, I started getting addicted to it. I like how the crowd cheers me, so when I left high school, I passed my exams, and I was meant to go to Commercial High School, which is like a college, St. Andrew Technical. I started going there, but I was really involved in the music, I wanted to form a group. I actually had formed a group called the Flaming Phonics. We were doing school barbecues, school fetes, playing in auditoriums around the country, like Calabar, mainly the high schools, Holy Child Girl’s School……”

themusicologist/bloodsweatandtees tribute to Pablo tShirt
themusicologist/bloodsweatandtees tribute to Pablo tShirt

musicology #0650 (Truth&RightsRemix)

Johnny Osbourne – Truth & Rights

themusicologist is back in the saddle today with a remix of the Johnny Osbourne Downbeat Roots Classic ‘Truth & Rights’. Recorded in the late 70’s at Sir Coxsons Studio 1, although in truth it was, like  much of Coxsons later output an overdub recorded over an early 70’s ‘golden age’ Studio 1 rhythm, a practice originated by Sugar Minott  a few years earlier.

By the late 70’s Jamaica was on the edge and Kingston was to all intents and purposes a battlefield. The economy had collapsed due, (in part), to outside influence as well as infighting between the opposing forces of the JLP and the PNP. Without going into too long a narrative Jamaica, (and the Caribbean) was on the frontline of the Cold War. Manley was a ‘Socialist’ and Seaga was a ‘Capitalist’ and the war that erupted was instigated by outside pressure to destabilise the situation. The age of ‘Roots & Culture’, One Love and ‘Ites was almost over and the ‘Gunman’ style was on the march. Studio 1, (as a creative force), was too all intents and purposes finished and Sir Coxson was relocating to the relative peace and safety !!! of Brooklyn signalling the end of the mightiest of Jamaica’s Musical powerhouses…

The rhythm for this tune was originally recorded at Studio 1 in the early part of the 70’s and released as ‘Take a Ride’ (miscredited to Al Campbell). Johnny Osbourne’s Truth and Rights was, (to the best of my knowledge), never released as a 7 Inch and was only available on the LP, (along with other ‘golden age’ overdubs), anyway…before i digress here is my tribute version to one of the mightiest of the Studio 1 roots cuts…

TruthRemix-Label

themusicologist meets Downbeat @ bloodSweatandteeS

part 2 of theUrbanMusicologyProJect…

Selected by themusicologist in tribute to Jamaica’s Soundsystem and Recording Studio HEAVYWEiGHT Sir Coxsone Downbeat the Ruler Dodd and FULL Brentford Road Crew.

I have waxed lyrical MANY times, (and dropped the needle on a number of supreme cuts), over the years here about the greatness of Studio 1 and some of its chief protagonists ..cats like Jackie Mittoo, Leroy Sibbles, Joe Higgs, Ken Boothe, the Skatalites, (to name a few), and how they carried the swing throughout the early days of Ska, Rocksteady and into Reggae. In fact I LOVE Studio 1 so much it led me to design and produce the tribute tShirt in Sir Coxsone’s honour which in turn inspired the formation and formulation of bloodSweatandteeS. Of course there were plenty of other producers along the way like Duke Reid, Justin Yap, Prince Buster, Lee Perry, Bunny Lee, King Tubby and the Hookim family but, at least as far as i am concerned, Downbeat was and will always remain the ruling sound. themusicologist IS a journey and as such the most effective way to illustrate what music means to me and how much it has informed my life is to lay down ‘SouLRebeLSymphonies’ rather than the the ‘1Shot’ that has dominated themusicologist for the past 4/5 years. I have played and listen to music this way for almost 30 years so it is also part of my narrative and authenticity so I hope you will allow me to indulge this part of my self as well as do me the favour of listening to it this way? The works of art on this mix were recorded and released from the late 60’s through to the mid 70’s, (with a few later cuts sprinkled in), when the Downbeat sound dominated. Before that the main rivalry, (especially record wise), was between Downbeat and the Trojan and even though there were some great producers throughout the age Studio 1 was the Home of Reggae and recording for Coxsone was the goal for almost all of the artists throughout the 60’s and early 70’s…..

to conclude todays monologue..I STRONGLY believe that music is for sharing and playing in your own environment so the mix is available to download and if you like Reggae and especially Studio 1 then i implore you to ‘fill your boots’ (and if you like it feel free to share it with your community.)

the bloodSweatandteeS Sir Coxsone Downbeat’ tribute tShirts, (below the soundcloud player), are available in various colours and there are still some sizes left so if you are looking to represent now’s the time as some of the combinations will not be repeated due to my desire to innovate continuously !

the ORiGiNAL ‘SouLRebeL’ tributeTees

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themusicologist meets KiNG Tubby @bloodSweatandteeS

theUrbanMusicologyProJect #1

themusicologist is evolving into a new phase..out of the ‘1 tune’ and into ‘the mix’. Less ‘talking’ and more ‘walking’ with the added bonus of, (for a limited time), being downloadable for themusicologist family, friends,  shipmates, and FULL crew.

FiRST up is a tribute to Osbourne ‘KiNG TUBBY’ Ruddock. the Heavyweight Champion of DUB who is pivotal in the development of not only Jamaican Music but almost every kind of ‘Dance’ Music that followed. Hip Hop, House, Dubstep, Jungle, Drum & Bass..EVERYone of them owes a debt to the KiNG.. So without further delay hold/download this mix and blend of KiLLER DubWise cuts from the KiNGS Studio.

p.s I’m not sure how Long this set will be available for Download as Soundcloud charges a monthly fee, (which I pay), but the package I am on is limited so if you like the set then don’t delay..download today. All I ask is that if you like it then please click the ‘Heart’ to show some love and if you FEELING it strong then a comment would be greatly appreciated.

LiMITED EDiTiON ‘TUBBYs HoMEToWN HiFi’ TributeTeeS designed and produced by themusicologist , (as a ‘momento of the experience’). Available EXCLUSiVELY at

bloodSweatandteeS

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musicology #0649

Hugh Mundell – Book Of Life

Augustus Pablo produced TOP Drawer, HEAVYweight 1976 roots classic from 16 year old vocalist Hugh Mundell..featuring, (among others), Jamaican drummer supreme Leroy ‘Horsemouth’ Wallace on Drums and the mighty EarL ‘Chinna’ Smith on Guitar…selected from the ‘Africa Must Be Free By 1983’ LP

musicology #0648

Augustus Pablo – Casava Piece

Classic Pablo….heavyweight instrumental Rockers cut to Jacob Miller’s ‘Baby I Love You So’…

tunes like these are what inspired the A.P Special tribute tShirt

musicology #0647

Augustus Pablo – Too Late      

I remember the days when themusicologist’s only piece of online communication was here…bwooooooooooooyyyyyyyyy them days are LONG gone. Now it’s Facebook, Youtube, Instagram, Soundcloud, Mixcloud, Tumblr, Twitter and Pintrest which are all branches of the #tUmp tree. Of course that’s the way of an Organic, Natural evolving project. The seed is planted and the tree begins it’s journey. Not that I’m complaining, for me, the authentic life is like that. Music was, is and will always be the air I breathe and I believe that theUrbanMusicologyProject is my lifes ‘work’ and I am happy to give it all I have….anyway enough about me and back to the music.

second up in the A.P Special theme is this cut the instrumental version of Alton Ellis’s (previously featured), KILLER: ‘Too Late To Turn Back Now’…

musicology #0646

A.P Special #1

Jacob Miller – Baby I Love You So

New theme starting today and it’s all about the man Horace Swaby aka Augustus Pablo. I’ll keep the narrative brief as it seems to restrict the frequency of my posts and after all themusicologist is primarily about the music..so without further script hold this top drawer cut featuring Augustus Pablo, Jacob Miller and the Rockers crew..

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musicology #645

tUmp #7

the Wailers – Sinner Man


what more can I say about the ‘Wailing Wailers’…the trio who went on to internationalise the music of Jamaica that has since had such a BIG impact on contemporary music especially ‘Hip Hop’ and ‘House’ both of which owe a great debt to the artists, producers and engineers who were always innovating and showing what was possible with limited technology. EVERY 21st ‘bedroom producer’, whether consciously or unconsciously, takes inspiration from Jamaican Urbanmusicology.

From the early 1950’s the Sound System pioneers helped to blaze the trail for what was to follow, chatting on the mic, selecting in the dance etc but it was in the 1960’s and particularly with Sir Coxsone Downbeat’s Brentford Road powerhouse, appropriately named ‘Studio 1’ that the music really took shape. Of course there were other BIG and influential producers at the time notably Duke Reid, Leslie Kong, Justin Yap, King Edwards, Prince Buster but Coxsone was the one who truly moved the focus out of the dance and into the Studio with artists such as the Wailers. Coxsone was a businessman but also a vanguard AND music lover who knew how to pick a winner and without him the musical landscape of not only Jamaica but, (in my opinion) the world would be a different place.

DOWNBEAT THE RULER will ALWAYS be the CHAMPION sound for me.

Wailing Wailers TributeTees designed and produced by themusicologist available EXCLUSIVELY at

bloodsweatandtees

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musicology #643

tUmp #6

the Wailers – Bend Down Low

Original Studio 1 version of Bend Down Low..later revisted by Bob Marley in 1974 for his first solo album ‘Natty Dread’.