Got ‘SHOOK’ this morning. Powerful.
“A soul connection is a resonance between two people who respond to the essential beauty of each other’s individual natures, behind their facades, and who connect on this deeper level.
This kind of mutual recognition provides the catalyst for a potent alchemy. It is a sacred alliance whose purpose is to help both partners discover and realize their deepest potentials.
While a heart connection lets us appreciate those we love just as they are, a soul connection opens up a further dimension — seeing and loving them for who they could be, and for who we could become under their influence.
This means recognizing that we both have an important part to play in helping each other become more fully who we are….
Tales From The Underground #3
The Soul Stirrers – Jesus Wash Away My Troubles
When ‘the Lion’ roars you have to listen..Sam Cooke..the greatest singer ever to record. Rarely equaled NEVER bettered. Listen Tune…
“Jesus wash away my, my troubles,
While I’m traveling here below,
For I’ve, I’ve got enemies..lord you know,
And Jesus wash away my, my burdens,
For they’re so, they’re so hard to bear
But I know there’s consellation,
As long as I know you’re there,
Yes it is, yes it is,
You know Sometimes I feel I feel like a motherless child,
I’m a long way from home,
You know Sometimes I feel, I feel like I’m almost gone
Still I’m a long ways from home
But Jesus take me on to glory lord when I, when I die
For I know that day is coming, It’s coming by and by
Shake It Up & Go #5
(The Valentinos – Lookin’ For A Love)
Penultimate cut of the Shake selection featuring the superb Womack Brothers, (Bobby, Cecil, Harry, Friendly and Curtis), with a 1962 cut on Sam Cooke’s groundbreaking Sar label. Bobby Womack was a major influence on themusicologist throughout my formative years of the early Seventies. One of the ‘Big 3’ that also included Curtis Mayfield and Bill Withers. Of course there were others but these 3 were the main players.
(Sam Cooke – Somebody Ease My Troublin’ Mind)
milestone on themusicologist…500 cuts and still haven’t even scratched the surface of the vaults !! here’s hoping that you cats and kittens have enjoyed the journey so far. how long will it last? who knows…but I’ll keep spinning as long as I’m able. When I took the first step on this musical journey I had no idea where it would lead. I just felt that the time had come to communicate with the world and open up a dialogue with my heart, soul and mind using the most effective language that I know…the sweet sounds of music. What is it about music that leaves such a deep impression? I don’t know but there have been many books written, lectures discussions and debates around tables, on street corners, in bars, classrooms and hallowed halls for generation after generation and still there are no definitive explanations, such is the power of frequency and especially harmony to resonate deep within us and touch the soul in ways that, at least for me, nothing else comes close to reaching other than that elusive feeling words can’t describe, Love…
I was going to wax lyrical and go right into ‘one’ but, (and I don’t know for sure why?), to be brutally honest with you today’s cut nails the way I have been feeling these last few days courtesy of the one artist who, for me, stands above all others..The Lion, Mr Soul…Sam Cooke without whom the music we now call Soul may not have emerged and even if it did definitely wouldn’t have been the same. Recorded in 1964 not long before the curtain closed on the troubled last few years of his short life. Sung in such a way that it leaves no doubt why the Lion is known as Mr Soul…The man who put the Soul in Soul….what a F***in’ TUNE, (excuse the profanity but the piece always brings me to my knees and trembles my marrow)
(The Valentinos – Darling Come Back Home)
Today it’s the turn of youth cult ‘observer’ and prolific writer on the subject Paolo Hewitt with what I think is a worthy insight into Mod/ernist that resonates throughout the whole spectrum from conception right up to today and beyond.
“Modernism has remained Britain’s most enduring youth cult because it’s originators created a blueprint that has proved timeproof. By doing so, they put up a safeguard against the transient nature of fashion. Mod has never withered against the ravages of time because it is so particular. About everything, Detail is all. Mod created, for the very first time, a twenty four hour lifestyle that totally revolved around clothes, music, drugs and attitude. They did not oppose society, they simply ignored it. They created their own simple sign language, devised fashion codes and style statements to develop their very own culture of cool. That they were initially hidden from view did not stop them contributing heavily towards the society that ignored. Their demands for clothes and music laid the foundations for the emergence of these industries in Britain and their style demanded a complete shift in attitude towards menswear. The true Modernist transformed London and made it the centre of ‘Hip’. Their clubs were the best in town, The Dj’s played the best and most exciting records and they danced the best dances.
All this because they had no problem mixing other cultures into their own. They were many things, arrogant, contemptuos, sometimes cruel and peacockis to a ‘man’ but they were also open minded and ambitious. One of their credos was simple; if it’s good, absorb it, wherever it’s from. Consequently Mod musical taste was immaculate an it’s development is entwined with the history of Soul music’s triumphant entry into Britain and when it was time to move on they did so. Which is so perfectly right, so perfectly Modernist”.
Today’s cut is one from themusicologist’s vaults recorded and released in 1962 for Sam Cooke and J.W Alexander’s trailblazing SAR label. Hold this quote from the book ‘Dream Boogie’ about the year in question..
“There was a new kind of pride in the air and a new kind of proclamation. Sam’s ‘natural’ hairstyle, (what became known as the Afro), was finally beginning to catch on and a few months later the Philadelphia Tribune defined ‘Soul’, a term confined for the most part at this point to the downhome instrumental sounds of Jazz musicians such as Bobby Timmons, Horace Silver and Cannonball Adderley as “the word of the hour…a spiritual return to the sources, an emotional intensity and rhythmis crive that comes from childhood saturation in Negro Gopspel music”. “Oh we all heard it said onetime ‘Wonder Boy’ preacher Soloman Burke, a lifelong Soul Stirrers devotee who had positioned himself somewhere between Sam and Brother Joe May in his own persuasive style, of Sam’s new Soul sound. “Pop audiences heard that yodel…like it was some shiny new thing. But if you knew Sam from Gospel, it was him saying, ‘Hey, it’s me’.
This was in the early months of 1962 at the same time that young working class kids in London were beginning to galvanise a new movement of their own and were instinctively drawn to this fresh sound coming out of America’s big cities. The group in question had a name and sound change from The Womack Brothers to the Valentino’s and it was their preceeding cut ‘Looking For A Love’ that provided them with their first breakthrough but for me this one takes some beating.