Hold My Baby’s Hand – James Brown & the Famous Flames
“The eruption of feelings and emotions that follows a near-death experience, or any event that causes us to stop and look deeply at the reality of our lives, is ripe with the potential for insight & clarity.” – Allan Lokus
Ain’t No Love In The Heart Of The City – Bobby Bland
“Dimensions are limitless; time is endless. Conditions are not invariable; terms are not final. Thus, the wise man looks into space, and does not regard the small as too little, nor the great as too much; for he knows that there is no limit to dimension. He looks back into the past, and does not grieve over what is far off, nor rejoice over what is near; for he knows that time is without end. He investigates fullness and decay, and does not rejoice if he succeeds, nor lament if he fails; for he knows that conditions are not invariable. He who clearly apprehends the scheme of existence does not rejoice over life, nor repine at death; for he knows that terms are not final“. – Zhuangzi (Chuang Tzu)
First outing on themusicologist for the multi talented Troy ‘Trombone Shorty’ Andrews a cat who was BORN and RAISED with brass in his mouth.
“So advanced was he that, at the age of EIGHT, a club in the city’s Tremé district, where he was born and raised, was named Trombone Shorts in his honor”. – Thom Jurek
This 2011 cut is highlighted from the ‘Backatown’ set which features, (among others), one of Nola’s GREATEST urbanemusicologists the majestic Allen Toussaint whose first, (credited), production the 1960 recorded mod/ern/ist R&B classic ‘Ooh Poo Pah Doo’, (musicology #334), was for Troy Andrews’ grandfather, (Jesse Hill).
“What we tried to do with the record is capture what we do live and then just tighten it up a little bit, make it translate on record. Live, we may come across some stuff and jam on it, but the record brings it in and focuses on what we needed to do. We worked hard and we didn’t rush it. I think we alright with this one.” – Troy Andrews