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#themusicologist [799] Sidney Bechet-Rocking Chair

For the rebels who have passed through to the next ‘phase’. .. 

Hwang-Tî said,

‘To exercise no thought and no anxious consideration is the first step towards knowing the Tâo; to dwell nowhere and do nothing is the first step towards resting in the Tâo; to start from nowhere and pursue no path is the first step towards making the Tâo your own.’

Knowledge then asked Hwang-Tî, saying, ‘I and you know this; those two did not know it; which of us is right?’ The reply was, ‘Dumb Inaction3 is truly right; Heedless Blurter has an appearance of being so; I and you are not near being so. (As it is said), “Those who know (the Tâo) do not speak of it; those who speak of it do not know it4;” and “Hence the sage conveys his instructions without the use of speech4.”

The Tâo cannot be made ours by constraint; its characteristics will not come to us (at our call). Benevolence may be practised; Righteousness may be partially attended to; by Ceremonies men impose on one another.

Hence it is said,

“When the Tâo was lost, its Characteristics appeared. When its Characteristics were lost, Benevolence appeared. When Benevolence was lost, Righteousness appeared. When Righteousness was lost, Ceremonies appeared. Ceremonies are but (the unsubstantial) flowers of the Tâo, and the commencement of disorder1.”

Hence (also it is further said),

“He who practises the Tâo, daily diminishes his doing. He diminishes it and again diminishes it, till he arrives at doing nothing. Having arrived at this non-inaction, there is nothing that he does not do1.”

Here now there is something, a regularly fashioned utensil;–if you wanted to make it return to the original condition of its materials, would it not be difficult to make it do so? Could any but the Great Man accomplish this easily2?

‘Life is the follower of death, and death is the predecessor of life; but who knows the Arranger (of this connexion between them)3?

The life is due to the collecting of the breath. When that is collected, there is life; when it is dispersed, there is death. Since death and life thus attend on each other, why should I account (either of) them an evil?

‘Therefore all things go through one and the same experience. (Life) is accounted beautiful because it is spirit-like and wonderful, and death is accounted ugly because of its foetor and putridity. But the foetid and putrid is transformed again into the spirit-like and wonderful, and the spirit-like and wonderful is transformed again into the foetid and putrid. Hence it is said, “All under the sky there is one breath of life, and therefore the sages prized that unity 1,”‘

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musicology #0751

Nubag #19 (a year in the life)

 Little Richard – ‘Im Just a Lonely Guy

back in the ‘nubag’ saddle. RASCAL of a year so far but ‘che sera‘. As we roll, HOLD this BOSS, BURIAL, Crescent City, piece of urbane musicology from the pioneering, majestic Little Richard. Recorded, of course, at (Father) Cosimo Mattassa’s studio. The ONE and only spot to record for Cats who knew what it was..is..and will always be about.

The image is one of an (in)famous street in the heart of MY ‘town’ .. London. Where me and the ancestors have been roaming and rolling since, (at least) the 1700’s.

 

musicology #0749

Nubag #18 (a year in the life)

Trombone Shorty – Hurricane Season

First outing on themusicologist for the multi talented Troy ‘Trombone Shorty’ Andrews a cat who was BORN and RAISED with brass in his mouth.

“So advanced was he that, at the age of EIGHT, a club in the city’s Tremé district, where he was born and raised, was named Trombone Shorts in his honor”.  – Thom Jurek

This 2011 cut is highlighted from the ‘Backatown’ set which features, (among others), one of Nola’s GREATEST urbanemusicologists the majestic Allen Toussaint whose first, (credited), production the 1960 recorded mod/ern/ist R&B classic ‘Ooh Poo Pah Doo’, (musicology #334), was for Troy Andrews’ grandfather, (Jesse Hill).

“What we tried to do with the record is capture what we do live and then just tighten it up a little bit, make it translate on record. Live, we may come across some stuff and jam on it, but the record brings it in and focuses on what we needed to do. We worked hard and we didn’t rush it. I think we alright with this one.” – Troy Andrews