Image

themusicologist #0770 Gil Scott Heron – Push Comes To Shove

#4WindsBlow

It is a strange old world and and no mistake but MUSIC unifies the

4 winds:

Heart, Soul, Body and mind and NEVER fails to deliver.

Looking back over almost a CENTURY of (predominantly), urbane musicology has taught me that.

From the earliest days of New Orleans barrel house right up to the street sounds of London, (where i was born and raised), I have listened, reflected, absorbed and learned more from the universal language than from any other source of human narrative.

I feel like rolling out a theme, starting today.

Where and for how long  the ‘wind‘ blows, nobody knows.

Advertisements

musicology #0764

Nubag #32 (a year in the life)

Since Our Last Goodbye – the Menahan Street Band

ConZu..Until we meet again hold this piece…Every time I hear it I feel your presence.Dad xx

“Between the dark, heavily laden treetops of the spreading chestnut trees could be seen the dark blue of the sky, full of stars, all solemn and golden, which extended their radiance unconcernedly into the distance. That was the nature of the stars. and the trees bore their buds and blossoms and scars for everyone to see, and whether it signified pleasure or pain, they accepted the strong will to live. flies that lived only for a day swarmed toward their death. every life had its radiance and beauty. i had insight into it all for a moment, understood it and found it good, and also found my life and sorrows good.” -Hermann Hesse

 

 

musicology #0749

Nubag #18 (a year in the life)

Trombone Shorty – Hurricane Season

First outing on themusicologist for the multi talented Troy ‘Trombone Shorty’ Andrews a cat who was BORN and RAISED with brass in his mouth.

“So advanced was he that, at the age of EIGHT, a club in the city’s Tremé district, where he was born and raised, was named Trombone Shorts in his honor”.  – Thom Jurek

This 2011 cut is highlighted from the ‘Backatown’ set which features, (among others), one of Nola’s GREATEST urbanemusicologists the majestic Allen Toussaint whose first, (credited), production the 1960 recorded mod/ern/ist R&B classic ‘Ooh Poo Pah Doo’, (musicology #334), was for Troy Andrews’ grandfather, (Jesse Hill).

“What we tried to do with the record is capture what we do live and then just tighten it up a little bit, make it translate on record. Live, we may come across some stuff and jam on it, but the record brings it in and focuses on what we needed to do. We worked hard and we didn’t rush it. I think we alright with this one.” – Troy Andrews

 

musicology #0745

Nubag #14 (a year in the life)

Mind Your Business – Saxon Lee &the Shadows International

African Funk selection..

keep yer nose out me beeswax…

 

musicology #0744

Nubag #13 (a year in the life)

 Jesus Children of America – Stevie Wonder

a personal favourite for themusicologist, RICH in memories of exposure to this set, Innervisions, as an impressionable 5 year old in 1973. Stevie was one of the BIG hitters on the stereo in them early years and Innervisions is a testement to the mans greatness, (having played and sung every part on this cut). I can almost taste the air of 1973 so strong and powerful are the connections.

 

musicology #0743

Nubag #12 (a year in the life)

This Old World Is Going Down – the Modulations

Heavyweight (mid 70’s) funk critique of this ‘Old World’.

From a time when music (the voice of the people) was critical…

The ‘secret’ power of music to influence ‘the group’ has been abused by the power structure over the centuries but, from my perspective, it’s in the 20th Century that we see the abuse of music, OUR greatest achievement, at it’s most cynical.

Hogarth’s critical ‘the Times’ (Plate II)  slots harmoniously into the narrative…

musicology #0735

Nubag #4 (a year in the life)

Wait Here – Al Green

BIG slice of funk from the ‘Reverend’. Highlighted from his final, (1978), secular album Truth n Time.

Couldn’t make the cut yesterday was at the ‘tower’ engaged in ‘deep work’.